Banber Erevani hamalsarani. Ŗus banasirut'yun.
| E - ISSN | : | 2738-2583 |
| P - ISSN | : | 1829-4537 |
I.Brodsky’s poem "December in Florence" reproduces not only the content but also the structure of Dante's Hell, its nine stanzas correspond to the nine circles of hell, Florence includes all nine circles, but the title of the poem underlines its correspondence to the icy ninth circle, where traitors are punished. Throughout the poem Dante's and Brodsky’s biographies intersect, Florence coincides with St. Petersburg, but the last stanza describes the personal hell of Brodsky – his own city.
The purpose of this paper is to examine the intertextual connections between F.Iskander’s story “Belshazzar’s Feasts” and the Book of Daniel. The content of the story is analysed in the context of the carnival tradition too. On the one hand, Stalin’s character as a tyrant is compared with Nebuchadnezzar, king of Babylon. On the other hand, Stalin’s figure is examined as the temporary king of carnival, whose part could be performed by a criminal condemned to death and whose execution is predetermined by the ritual. In Iskander’s story Stalin’s death is a sign of punishment for the crimes committed by him. The author’s description of Stalin’s banquet demonstrates the aberration of the folk carnival tradition, at the same time keeping the essential ambivalence of the carnival unchanged.
The author presents H.Tamrazyan as a distinguished scientist (medievalist) and poet, as well as outstanding translator of Russian poetry into Armenian language. Tamrazyan’s works, editions as a translator of V. Mayakovsky’s, S.Yesenin’s, B.Pasternak’s verses are the subject of special attention. Besides, the author translates and publishes in Russian Tamrazyan’s essay “Early Mayakovsky” (1996), with comments on it.
The paper is devoted to the relations of persuasiveness and the other subjective categories: modality and triangle ʻI-here-nowʼ. The author describes some difficulties in realizations of the persuasive meanings in these conditions and some problems of interaction of the category of persuasiveness and the grammatical mood.
The paper is devoted to the category of verbal etiquette in Russian language. Characteristics of linguistic expression
of this category, particularly at the word-formative level, prove, that it is a part of national language picture of the world, it is the way to express the main national keу ideas.
The article sums up the analysis of the lyric theme shone through M.Tsvetaeva’s collections “Craft” (“Remeslo”) and “After Russia” (“Posle Rossii”), as well as in five works of large form in 1921-1925. This lyric theme was considered by the author previously in a series of papers, and the present article observes the same lyric subject in relation with two Tsvetaeva’s references to goodness Aphrodite; that is the challenge to goodness in ironic cycle “Praise of Aphrodite” at the beginning and the revenge of goodness at the end (tragedy “Ariadna”, planned as the first of trilogy “The Ire of Aphrodite”).