Vol. 13 No. 3 (39) (2022)

Full Issue

Literary Criticism

  • Three Epigraphs from the “Rigveda” (Siamanto, Daniel Varuzhan, Yeghishe Charents)

    Seyran Grigoryan
    3-18
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.003
  • Poet Arshag Tchobanian on the border of two centuries

    Vachagan Avagyan
    19-27
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.019
  • On the Conceptuality of Counselor’s Image in Epic Monuments of Medieval Literature (T.Melory, “The Death of Arthur” and Lo Guanchjun, “Romance of the Three Kingdoms”)

    Natalya Gonchar-Khanjyan
    28-37
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.028
  • Features of the Personality of an Exile on the Example of Vladimir Nabokov

    Amalya Soghomonyan
    38-45
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.038
  • Artistic manifestations of the borderline between tradition and modernity in Orhan Pamuk's novel "The Red-haired Woman"

    Lilit Seyranyan
    46-57
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.046
  • Chronotope in Jean-Paul Sartre’s Play “No Exit”

    Alvard Mayilyan
    58-65
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.058

Linguistics

  • A Semantic-Functional Examination of Forms, Expressing Futurity in Classical Armenian

    Sargis Avetyan
    66-81
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.066
  • Homonyms in Sayat-Nova’s poems

    Maryam Torabi
    82-92
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.082
  • Substitutions of parts of speech in armenian translation of V. Pikul's novel “The Favorite”

    Lilit Tsaturyan
    93-103
    DOI: https://doi.org/10.46991/BYSU:B/2022.13.3.093