ALBERT CAMUS’S PANTHEISM IN THE LINGUISTIC AND STYLISTIC MANIFESTATIONS OF THE ESSAY SERIES "NUPTIALS".

Abstract

This article aims to study and analyze the presence and role of the wonderful nature in Albert Camus's essay series "Nuptials", for which the author has a cult-like love, to present his enthusiasm for communication with the world, nature, Tipaza with its Roman ruins, sea, sun, light, stones, where man celebrates his marriage (fusion, rapprochement) with nature. An attempt is made to present the philosophical goal of the work, to clarify the idea of being happy and to strive for it in the inevitable transience of life, as well as the language and stylistic features used in the work and the vocabulary reflecting the nature, choosing the analytical methodology, with the help of which the various linguistic and stylistic means and techniques used are considered, which play an irreplaceable role. played in presenting the landscapes and the author’s reflections.