The Semiotic Interpretation of Joan Miro’s World of Signs

Authors

  • Armine Matevosyan English Philology Department, Yerevan State University
  • Nazeny Hovakimian Chair of English, Yerevan State University

DOI:

https://doi.org/10.46991/AFA/2014.10.1-2.112

Keywords:

semiotics, sign, art, visual language, interpretation

Abstract

The following article is devoted to the semiotic interpretation of some paintings by an outstanding Catalonian artist, Joan Miro. Here an attempt is made to concentrate on the symbolic objects, the colours and the whole mood of Miro’s paintings, as well as to the emotional state of the artist himself, his descriptions of his art to bring out the link between linguistic and artistic signs.

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Published

2014-10-15

How to Cite

Matevosyan, A., & Hovakimian, N. (2014). The Semiotic Interpretation of Joan Miro’s World of Signs. Armenian Folia Anglistika, 10(1-2 (12), 112–120. https://doi.org/10.46991/AFA/2014.10.1-2.112

Issue

Vol. 10 No. 1-2 (12) (2014)

Section

Culture Studies

License

Copyright (c) 2014 Armenian Folia Anglistika

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.